Sacred reflection through profane humor

31. januar 2013

Paul Gravett har vanen tro fået en flok internationale tegneserieskribenter til at give deres bud på årets bedste værker fra henholdsvis Argentina, Australien, Brasilien, Italien, Portugal, Serbien, Sydkorea, Tyskland, Østrig – og Danmark. Her er det Matthias Wivel, som fremhæver én dansk tegneserie fra 2012: Mårdøn Smets Stig & Martha.

Mårdøn Smet: Stig & MarthaThis slim, tall tome collects one of the hidden gems of Danish comics of the past twenty years. Since it first saw the light of day in the seminal anthology magazine Fahrenheit in 1992, Mårdøn Smet’s (e)scathological gag strip has led a liminal and rather intermittent existence in Danish comics, providing small revelations for the intrepid few. Now a wider, if still discerning, audience gets the chance with this near-complete collection. Smet has jettisoned a few early efforts and redrawn a few others in glorious watercolour, fashioning a seamless whole of what was always a shatter of fragments. Eponymously titled, the strip centers on two characters: short and tall, male and female, ambitious and sensitive, rational and emotional. In Smet’s hands, this classic formula becomes a vehicle for sacred reflection through profane humor. Smet’s line was built as a pastiche on Dutch masters Fred Julsing and Daan Jippes, but has long transcended its paragons to become an almost cryptogtaphic idiom, where buoyant dynamism is encoded in multitudinous swoops and curls. An embodiment of the failure of language, appropriately set in pantomime – everybody can read it, if they are willing to brave the line. Smet himself describes it as a kind of ‘waste product’, the art shed by his despair. It is grim, but very human, centering on irrepressible if always vain aspiration. Tense and beautiful.

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